bela tarr

• csaladi tuzfeszek/ family nest (1977), szabadgyalog/ the outsider (1981), panelkapcsolat/ prefab people (1982), oszi almanach/ autumn almanac(1985) gibi filmleri bazı eleştirmenlerce john cassavetesvari, natüralist-gerçekçi, "biçimden ziyade içeriğin ağır bastığı öfke çığlıkları" olarak nitelense de, 1987 tarihli damnation ile birlikte bütünüyle biçimci bir yolda ilerlemiş yönetmen. 1985 sonrası filmlerinde özellikle tarkovsky etkisi çok belirgindir. olağanüstü siyah-beyaz fotoğraflar ancak aşağıdaki röportajından da anlaşılacağı gibi gerçek insanların diyaloglarını yansıtmaya çalıştığını söylediği ilk dönemleriyle oldukça ters düşen filozof kesilmiş sözde sıradan insanlar. :
  
  >>fd & mlc: but i've read that cassavetes was a big influence on your earlier movies and visually he's very naturalistic.
  
  bt: yeah, you know there wasn't a direct connection but i like it very much. i think it was the idea of jonathan rosenbaum. this is his mania. no, we had no direct connection. i like cassavetes' movies very much. you know, when i made my first movie, what could be seen on at the movies was shit, full of lying. and that was the reason why we decided "okay, we will shoot on 16mm, in black and white and with non- professional actors, real people, real proletarians, without dialogue, just some improvisation, we'd just go ahead and show what is happening on the street." and afterwards i saw some cassavetes movies and it was wonderful for me. yes, i like what he did very much. but i never thought about his work when we made our next steps. but i think he was one of the most important american film makers for us...<<
  
  http://sensesofcinema.com/…feature-articles/tarr-2/
  
  para karşılığında ulaşılması mümkün görünmeyen ilk dönem filmleri deli gibi aranmaktadır elbet.